Friday, June 7, 2019

Othello Essay Example for Free

Othello EssayIn Shakespe ares Othello, we see the protagonist Othello being deceived due to his openness of nature and credulity. When Iago estimates Othellos character as follows, The moor is of a free and open nature, / Those thinks men honest but seem to be so. / And will as tenderly be led by the nose/ As asses are. (II. i. 387-90). We see that it is this trait of his which strained his relationship with his belove Desdemona. The great tragedy of Shakespeare, Othello, starts with a marriage which was based on a in truth strong bond of love between Othello and Desdemona. From the early part of the play itself, it is evident that Othello has a slight feeling about his lower rank in terms of beauty and color. He substantiates this point by telltale(a) that instead of loving him for what he is, She loved me for the dangers I had passd, / And I loved her that she did pity them. (I. iii. 167-8) We see that throughout the play, Othello is a dupe of his own jealousy and Iagos bet rayal. This gives way to a change in attitude towards his lady love- Desdemona. As a result, Desdemona, once the whole mankind of Othello, became his to the highest degree loved enemy who happened to die by his own hands.Hence we can see that love in their relation reaches the highest point that even the lovers life is at the disposition of her better half. That too as a victim of suspicious dedication Desdemona is believed by him to be immersed in an affair with his institutionalizeed lieutenant, Cassio. To take advantage of the grains of suspicion in the mind of Othello about Desdemona, Iago sets the stage through her handkerchief. Othello is convinced by Iago that his fears about Desdemonas disloyalty towards him are beyond disbelieve by promising that he saw Desdemonas handkerchief with Cassio By Heaven, that should be my handkerchief (IV. . 147).It is present that we get the most evident proof of Othello towards his wife as the love for his wife is well conveyed by making it clear that he can not bear to live k directlying that his wife has become a whore, Aye, let her rot, and perish, and be damned tonight, for she shall not live. (IV. i. 168). Thus a man, who was hailed for his royal lineage, his skill for adventure, his most efficient soldiership, his openness of nature and credulity, his modesty, and dignity stoops to the level of a murderer without any second thoughts.He did so because he loved his wife so dearly so that whether he lived or died, whether he maintained his reputation or not, nothing was of importance to him compared to his love for Desdemona. Here their relationship turns out to be ironic for it is difficult for a common man to think that one would murder someone for intense unblemished love. On the other hand, we see Desdemona forgetting her very self out of her self-effacing love and devotion for Othello.She idolized him, as she says I saw Othellos visage in his mind/ And to his honours and his undaunted parts/ Did I my soul and fortunes consecrate. (I. iii. 251-3). When she was charged with infidelity, and that her husband could not have done anything more unkind, she could only protest His unkindness may defeat my life,/ just now never taint my love. (IV. ii. 159-61). Her tactlessness that springs from her purity and innocence was what brought about her death. If she had imbibed the worldly maxims, which Emilia dispensed, she might have averted the disaster. She made a capital blunder in engage herself to solicit for Cassio. She had not the remotest idea that her action might be misinterpreted. She did not realize it even at the visible displeasure of her lord.A woman of the world would have taken the hint, and pressed no more Cassios suit. Iago, in spite of himself, meant but the simple truth when he said, She is of so free, so kind, so blessed a disposition, she holds it a vice in her goodness not to do more than she is requested. (II. iii. 298-9). Not till the last moment did the truth uncover upon her mind that she had compromised herself by pleading for Cassio. It is the simplicity and purity of Othello and Desdemona, in all means that is exploited by Iago, who was trusted to the utmost by both, especially Othello. Othellos life was always lived by faith, instead of right.Moreover, he was a man whose nature was passionate and high, generous in thought and ready in action. He considered all that is subtle and devious as dishonor, and as Desdemona understood about him, jealousy and suspicion was foreign to his nature. His life was always identified with his absolute trust in Desdemona. But when a person who was too honest to him throughout and a good friend full of experience, honor, devotion and delicacy to him, exhorted too vehemently that Desdemona is not at all honest to him and that she is having a very passionate love affair with Cassio, his innocence and purity forces him to believe it.Desdemona too is a victim to the darker shades of finer feelings like innocence , purity and simplicity. She is a saint who always stood firm for love, be it to her father or her husband. She firmly believes that there is nothing in this world that cannot be recovered by true love. Her answer concerning the fatal handkerchief, It is not lost but what an if it were? (II. iv. 79) shows she, most pathetically and with a childlike innocence, endeavors to observe the truth of her relation to her husband.If she had tried to reply to the accusation she was in, with harsh words, her angelic stature in the minds of those who loved her might have faltered. A close course session of the play substantiates the fact that Othello and Desdemona are the two most innocent people that ever existed. At first their relationship is romantic to the utmost but it takes a profane hue in course of time due to the lack of a perfect foundation for a relationship, by race, color, temper and character and therefrom we see an absence of trust, understanding and communication between the two. For Othello, the word battle is of foremost importance as he was a perfect soldier.We see him telling about himself Rude am I in my speech, / And little blessd with the soft phrase of peace / For since these arms of mine had seven years pith, / Till now some nine moons wasted, they have usd/ Their dearest action in the tented field/ And little of this great world can I speak/ More than pertains to feats of broils and battle. (I. iii. 81-7). In sharp contrast to this, we have Desdemona who is totally inexperienced in the ways of the world. It is Othellos war stories that infatuate her.Once she identifies his virility and manliness, she is taken aback with a mad love towards him. But it should be debated whether that is a solid base on which a relation should be built on. We see that though she speaks so fondly about him, her understanding about his nature is minimum. She defends her newly born love for Othello, in the following words, (among other things), My downright violence, and storm of fortunes, / May trump to the world. My hearts subdud / Even to the very quality of my lord. / I saw Othellos visage in his mind, / soul and fortune consecrate. (I. iii 248-253)Hence the whole play shows away that it is innocence and purity that laid foundation to the failure of the relation between Othello and Desdemona who was renowned for the purity of love between them crossing all the barriers that were built by man. These good qualities, undoubtedly, turned fatal in their all encompassing love. We find Anthony Trollopes Lady Anna an apt sequel to the relationship presented between Othello and Desdemona. In the above-said allegory we have Daniel Thwaite, a tailor and his lover, later wife, Lady Anna, who belongs to the aristocracy. There too we have Frederic instead of Cassio.In both these works we see that the people with whom the ladies are accused of having an illegitimate relation are far better and appropriate than their present spouses. This instills a fe eling of inferiority in both the men and that is what takes the decorate of jealousy and in course of time their intense love to their better halves become too bitter and lead them to much graver mistakes. Trollope, no doubt had Shakespeares Othello in mind, while he was drawing his caricatures of Lady Anna, Thwaite and Frederic to make them sequels to Desdemona, Othello and Cassio respectively.

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